Download Film Thor The Dark World Gratis
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But fate has been tempted, and remarkably it has once again been overcome. Though hardly a must-see, Thor: The Dark World is, if anything, better than the original: a looser, loopier hybrid of science fiction and fantasy powered by a pair of magnetic performances and leavened with a number of truly witty moments.
Yes, the movie spends too much time in Asgard, which is (even by comic-book standards) an exceedingly silly place. But for fans of the superhero genre, the film is nonetheless a likable diversion. The story begins thousands of years ago, when Odin’s father (that is to say, Thor’s grandfather) led the forces of Asgard in a war against the Dark Elves, who, as their name suggests, were not nice folks. Their leader, Malekith (Christopher Eccleston), had created a superweapon—an otherworldly floating goo called “the Aether”—but he was defeated before he could deploy it. The Asgardians, unable to destroy the Aether, decided instead to “bury it deep where no one can find it.” You can probably guess how well that worked out.
Flash forward to the present. Thor (Chris Hemsworth) has returned to Asgard, leaving his astrophysicist love-interest, Jane Foster (Natalie Portman), behind on Earth. While searching for a way to contact her interstellar hunk, Jane stumbles into an alternate dimension, where—what are the odds?—she comes in contact with the Aether, which enters her body and refuses to leave. Malekith and his crew, who unbeknownst to all have been in suspended animation on their starship lo these many years, are awakened and come looking for the Aether, which they plan to use to destroy the universe (or, as the Asgardians like to put it, the “nine realms”) and usher in a new age of darkness.
If this all sounds pretty ridiculous, well, it is. And if it sounds an awful lot like the premise of The Lord of the Rings, well, it’s that too. Thor: The Dark World often plays like a peculiar mashup of Tolkien and Star Trek—a Balrog here, a Romulan Bird of Prey there—with hints of Alien and Hellboy thrown in for good measure. This kind of magical past/technological future crossover is not an easy thing to pull off, but director Alan Taylor (a veteran of Game of Thrones) takes the challenge head on. And while I won’t go so far as to say that he succeeds—I’m not sure that “success” is a meaningful concept when it comes to Asgardian starfighters that are shaped like Viking longships—the execution is about as good as one could reasonably hope for. The secondhand plot and daft visuals are not, in any case, the movie’s main selling points.
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Rather, Thor: The Dark World gets by thanks to its heady pace and good-natured charm. It’s a considerably funnier movie than its predecessor, thanks in large part to Kat Dennings (who returns as Jane’s intern), the always-amiable Chris O’Dowd (who shows up as a decidedly underpowered rival for Jane’s affections), and a sneaky-good cameo by Chris Evans, a.k.a. Captain America. The rest of the supporting cast (including Stellan Skarsgard and Idris Elba) does fine as well, though Eccleston is given precious little to do other than snarl menacingly beneath layers of makeup and CGI, and Anthony Hopkins seems vaguely dyspeptic at the very thought of having to play Odin again. It’s Hemsworth and Tom Hiddleston, however, who are the main draws here, as the titular thunder god and Loki, his deliciously malevolent adoptive brother. When Hemsworth burst upon the scene in the first Thor, it wasn’t clear whether or not he was the real deal.